Second draft

I recently had a short meeting with Dan about this project. We went over what I want from the project and he gave some points on the script, the main point being subtlety, which I have never been too good at. So after the meeting I wrote a second draft, in which instead of a kevin smith-esque talk with death, about Death, the main character slowly comes to realise the truth, if at all. Now all of the main moments of the film happen between the lines and they never openly talk about the situation so it's up to the audience to think and read between the lines rather than all the facts be presented to them in a monologue.